This week was crazy.
So last weekend, when I should have been doing the massive amounts of "devoirs" that were due this week, I did absolutely nothing. Which meant when Monday came around (my last actual day of the weekend) I had to nail myself to my desk chair and work.
In short, here was my week:
Monday - read a book in french (10 hours)
Tuesday - classes (6 hours) finish book (1 hour) write paper on book (5 hours) bedtime: 3:30am
Wednesday - class (2.5 hours) choir rehearsal (2.25 hours) read article in french (1-2 hours) begin paper on said article (1 hour) bedtime: 1am
Thursday - finish paper (2 hours) class (4 hours) go see play (3 hours) dinnertime : 12 am, bedtime: 1 am
Since Friday is the beginning of my weekend, I didn't set my alarm. And I woke up today at 1pm. Needless to say, I was exhausted.
Play:
I went to see Tartuffe last night! I don't get to see professional productions of show's I've been in that often (especially in the language and city they were written in), and I was curious to see a different version of it.
And it wasn't bad. I may be biased, but I thought Rick's production was much better.
This version was...well, it wasn't funny. It was actually pretty dark.
The whole thing was set in modern times, and the living room of Orgon's house was extremely severe-looking and bare. Rather than starting out with the family coming home from a party and swing dancing ( a la Whitworth's production), Mariane and Valere were making out in her bedroom, Cleante and Elmire were drinking and laughing by the front door, and Damis was watching tv (I swear it was porn too, but the tv set was all fuzzy and I was in the 2nd balcony).
The director had a very different vision of the characters as well. Orgon (who was amazing) was clearly the main character of this version. When he came in from his trip to the country, he walked in with a giant wooden cross wrapped in tissue like a bouquet of flowers. Another touch that I loved was that Orgon was dressed exactly like Tartuffe (like a high school freshman tries to dress like the popular senior). They both wore dark slacks, a white turtleneck, and a wooden cross on a rope around their necks. Later on in the show, Madame Pernelle and Loyal were both dressed like that as well.
To make Orgon the strongest character, the director made many of the other characters a lot weaker. Mariane especially was like a timid, anorexic mouse. And Dorine, was...well... I have to give the actress credit, because the real Dorine was taken ill suddenly and this was a replacement (who had never done the show before and read all the lines from a script in her hand). She was just very different than my Dorine. First, she was old, and not at all sexy or "brazen". And she just alternated between angry and afraid. Not a whole lot of depth to her character. Elmire and Damis were very good, and Tartuffe was very different than Nik's portrayal. He wasn't quite as outwardly slick and slimy as Nik was. Just very creepy in that very repressed, devout way. And during the table scene he TOTALLY felt up Elmire.
My favorite by far was Valere. Moliere doesn't put that much into that role, but this guy was great. I mean, everything this guy did was amazing. When he first enters, right before the fight scene with Mariane, this guy runs in with a bottle of champagne and three glasses, and you think he's sincerely happy and has no idea about the plan for Mariane to marry Tartuffe. But then he pours a glass for Mariane, Dorine, and himself, makes a toast to Mariane and Tartuffe's upcoming wedding, and downs his glass in one sip. My other favorite part was when he storms off and Dorine has to chase after him. He actually ran out the front door, and Dorine runs out after him yelling at him to come back. And Valere yells out "NO!", but runs back into the room and abruptly slowing down like he was coming back in reluctantly.
It was still extremely dark. The set kept changing to go to lower rooms in the house. It started out in the living room, and then the whole wall of the backdrop rose, and the lower part of the backdrop made a basement, and then it rose again to create a lower third story (if you can imagine that), and on each lower floor, the walls were more cracked and deconstructed, like a figurative decent into hell, or Tartuffe's facade crumbling away. And the whole seduction scene took place on a table that had been set up as an alter in the basement, with a big cross on it and everything.
So yeah. Interesting take on the play, but I liked ours better.
This weekend I'm just going to relax. I'm being lazy today, and will probably go to Printemps in the afternoon. Saturday is "let's play tourists" day with my friends, and we're going to actually go see monuments and musees that we haven't seen yet (even though we've lived here for a month). How time flies.
I'm starting to forget some English words. And I've started throwing in random French words when I do speak in English, especially "sauf" instead of...wait...I seriously can't think of the English translation. Wait. Except? and "meme" instead of same or even.
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